Fiction

Hallucinator
Somewhere in New Orleans, 2010

Hallucinator

We traded memories through the night, starting with branches of personal history and working backward until we reached the primeval muck that fuels a life. Propped on an elbow, she described a recurring nightmare in which she wore a curly blonde wig that chewed through her head until she woke up in tears. In return, I offered my boyhood fear of mannequins, how my father had to cover my eyes whenever we went into a department store.

She recounted the day her friend across the street moved away after the boy’s father committed suicide, and for several years she did not know what this meant, only that it was a terrible crime. When she finally understood what it meant to kill yourself, she began to avoid balconies and driving down two-lane roads.

Draping herself in a chair by the window, she bit off the filter of a cigarette before lighting up. When she was six years old, her father moved their family halfway across the country because he believed their old house was haunted. “He thought it was a Civil War ghost,” she said. “But I didn’t start believing in ghosts until a few weeks ago.”

Years later, I would discover her stories had bled into mine. While making a sandwich or gassing up the car, my mind would wander to the night my mother held me when I was seven years old, stroking my hair and saying it wasn’t my fault our dog was killed by a delivery truck because I left the gate open. Then I remembered we never had a gate or a dog, and my mother would never say such a thing if we did.

Sometimes I am still jolted awake by a dream about a flesh-eating wig.

This is the fourteenth episode of Interstate Scenes, a fictional collection of homeless paragraphs, remixed and upcycled bits from the past, and bloopers from the stories I’m writing.

Drone
Somewhere in Oklahoma, 2010

Drone

Tinnitus occurs for many reasons, most of them vague.

Tinnitus occurs for many reasons, most of them vague. Exposure to loud noise or stress. A kink in the nerves. It’s a purely internal phenomenon, and it’s important to distinguish between the mental and the material. It could be a matter of life and death. Or worse. Like the story about the man whose tinnitus became so loud, he punctured his eardrums with an ice pick, preferring deafness to the incessant ringing. After the job was done, he held the bloodied pick before a mirror and began to scream. Not from the pain. No, he screamed because the ringing continued. Tinnitus is just another trick of the brain, a glitch that compensates for a lost frequency by reproducing it in the mind.

So I turn up the radio to drown the hum in my ears. This is the only medicine that works: the gray noise of modern living, the wash of air-conditioners, static, and highway traffic. Strange how the noise in my head can only be soothed by more noise. Maybe this makes sense in a world of ever-increasing volume, all of us chatterers and screamers seeking to mute the unpleasant sounds in our heads, some hollow ringing of the soul.

Now sight is merging with sound: everyone is snapping pictures or hunched over tiny screens, their faces bathed in pale blue light as if talking with ghosts. My brains scrape against a story about a god who could no longer tolerate the constant babble of humans that swarmed the earth, until one night, unable to sleep, this god unleashed a terrible flood. This might be an ancient myth. Or maybe I made it up.

This is the eleventh episode of Interstate Scenes, a fictional collection of homeless paragraphs, remixed and upcycled bits from the past, and bloopers from the stories I’m writing.

Red Shift
Somewhere in Imperial County, California, 2014

Red Shift

They say evolution occurs most rapidly in body parts that attract lovers and frighten rivals.

The years disappeared while I drove, my life red-shifting as catastrophes streaked across my windshield and cars zipped past me, their drivers clutching tiny screens flashing the latest news. Strange how we’ve become so hellbent on speed rather than slowing down. Maybe it’s a knee-jerk defense against decay, the senselessness of entropy. They say evolution occurs most rapidly in body parts that attract lovers and frighten rivals, but what’s the reason for the grey in my hair or the creases across my forehead?

Chattanooga. Kansas City. Los Angeles. I wanted to admire the flash of plastic and neon, the synthetic gloss of interstate life. Instead, I found myself squinting into the sprawl, thinking of a time when this was a wilderness of women and men raising feeble lamps against the darkness and calling out to God.

Wichita. Newark. Seattle. It felt like one big meeting with the same metal chairs, the same fleshy carpet, and the same voices fumbling for a grammar to describe the kinks in the soul. A halo is only six inches from being a noose. I folded myself into the back of church basements and joined a shambling collection of retail workers, grandmothers, nightwalkers, software developers, mystics, teenagers, blackjack dealers, and cops who spoke in aphorisms and numbers. They smiled politely and told me I must humble myself if I hoped to find anything resembling peace.

This is the tenth episode of Interstate Scenes, a fictional collection of homeless paragraphs, remixed and upcycled bits from the past, and bloopers from the stories I’m writing.

Passage
Somewhere in the Middle West

Passage

Maps of the Arctic give me vertigo. All that blank bright land feels like leaping off a rooftop.

Maps of the Arctic give me vertigo. All that blank bright land feels like leaping off a rooftop. And it’s peppered with bland names that sound like death: Baffin Bay, Kettle Passage, Resolute Island. There were forty-two failed expeditions to find the Northwest Passage. Sailors’ teeth exploded in the cold as they searched for the Open Polar Sea, an imaginary body of water that haunted nautical maps for centuries. Some sailors died with these maps in their hands after cannibalizing their shipmates. But today, this sea is becoming a reality in these record-breaking days of fire and flood. Sooner or later, the map creates the world.

The rusty squawk of seagulls interrupts my jabbering brain. Dozens of them circle above this superstore parking lot, hunting for minnows, plankton, or whatever they eat. Something in nature is breaking. Overhead, a star-spangled billboard advertises the Eighteenth Annual Quad County Bible Study & Gun Show. A verse from the Gospel of Luke blinks in red, white, and blue: When a strong man, fully armed, guards his own palace, his goods are in peace.

Maybe they had the right idea with the Northwest Passage, hoping to skip America altogether.

This is the ninth episode of Interstate Scenes, a fictional collection of homeless paragraphs, remixed and upcycled bits from the past, and bloopers from the stories I’m writing.

Radioactivity
Somewhere in Arizona, 2010

Radioactivity

Cut to commercial, and I hum along with a jingle for a machine that controls your brainwaves while you sleep.

Headlines at the top of the hour: Another heat dome has settled across the nation, and the new movie that reenacts ten celebrity drunk-driving offenses broke a box-office record over the weekend. 

Cut to commercial, and I hum along with a jingle for a machine that controls your brainwaves while you sleep: Wake up energized and get more done! Now a story about the latest self-help manual from a celebrity chef who is a recovering pyromaniac: “And I discovered this is the way with all things, a gentle breath can keep the tiniest flame alive—”

I scroll down the dial in search of the midnight call-in shows, those carrier waves of national rumor and patchwork theory. A woman in San Diego says the CIA is responsible for the body parts washing up on the Pacific coastline. “Chopped-off feet are coming in with the tide, and nobody knows why.” 

Callers assign divine significance to the calendar and the moon, offering theories rooted in numerology and biblical verse; they implicate Hollywood and the United Nations. “The government is controlling the weather so they can push through an eco-terrorist agenda. There are secret machines at the foot of the Rocky Mountains that manufacture terrible winds.”

A man in New Hampshire talks about an alien transmission that left behind three disemboweled bodies in Arkansas: “Humans don’t have the technology to suck out a person’s intestines through their naval, but that’s exactly what happened.” 

Cut to commercial. “At the California Institute of Psychics, only two of every three hundred applicants are selected, so you’re guaranteed a good reading.” 

I tune into another voice, this one sweaty and frightened. “I’m alone in Idaho where it’s just me and God, and it gets so lonely. Because I’m just a normal guy, and there are times when I get tired of being His servant and I say, ‘God, how much longer do you want me to do this, to keep warning people about your judgment?’ And the Lord tells me I have until the end of winter to prepare everyone for—”

Station after station of this: doomsayers and faith-dealers tormented by the ghosts in their heads. What has gone so horribly wrong in their lives that they’re on the radio, telling us we’re all going to burn?

I mute the radio. I’ll get more information from the rain.

This is the eighth episode of Interstate Scenes, a fictional collection of homeless paragraphs, remixed and upcycled bits from the past, and bloopers from the stories I’m writing.

The Comfort Lounge
Somewhere in New Orleans, 2010

The Comfort Lounge

It was a run-down joint where time stood still and probably slid backward.

It was a run-down joint where time stood still and probably slid backward. Wood-paneled walls. Cracked leather studded with brass. Deep booths that were once red, now the color of a bruise. It was the kind of place where you might have sealed a business deal in a different decade, but now it was where you came when you had no more business to conduct. Paper lanterns and a plastic palm tree. Tangled Christmas lights on the ceiling and a Rock-Ola jukebox that sang listen to the rhythm of the falling rain. A flatscreen above the bar showed a celebrity laughing in a prison yard, and I could not tell if it was a movie or a news report.

A woman mumbled into her drink. “Everything’s a mystery and I’m just a tiny part of it. Maybe that’s all I need to know.” The wall of liquor shimmered like stained glass. The Christmas lights flickered and the TV glitched. Another brownout.

This is the sixth episode of Interstate Scenes, a fictional collection of homeless paragraphs, remixed and upcycled bits from the past, and bloopers from the stories I’m writing.

A Matter of Degrees
Somewhere in Nevada, 2021

A Matter of Degrees

Most people walk away from their dreams sooner or later, usually in tiny steps that are hardly noticeable, the course altered by fractional degrees until it leads to a reversal of the poles. The childhood fantasy of becoming an astronaut or paleontologist fades into paying down a credit card or finding low-deductible insurance. Big dreams die every minute in this country, crushed into the smaller ones that keep us setting our alarm clocks, buying paper towels, and checking the weather forecast. 

Lose enough faith, and you might forget how to live. Bills and bank statements begin to look like fiction, baffling abstractions that have nothing to do with the real business of being alive. Words like appointment or Thursday lose their meaning, and you increasingly find yourself spaced-out in the grocery store, struggling to remember what you like to eat. You might begin to spend time in bars or churches, searching for instructions. Some people will recognize this starved look in your eye. They will see you as a kindred spirit or easy prey. Either way, they will find you. And they will talk to you.

Spectrum – Then I Just Drifted Away

Highs, Lows, and Heavenly Blows | Silvertone, 1994 | More

This is the fourth episode of Interstate Scenes, a fictional collection of homeless paragraphs, remixed and upcycled bits from the past, and bloopers from the stories I’m writing.

Dangling Shoes
Somewhere in the Mojave Desert, 2008

Dangling Shoes

Some Americans like to tie a pair of shoes together and toss them at a power line.

Some Americans like to tie a pair of shoes together and toss them at a power line or a tree branch until they catch and hang. Very few people have seen these shoes actually thrown, and of the witnesses who have been surveyed, their reports vary as to the average number of attempts before the shoes find their mark, ranging from three to nineteen. This practice is more frequent in urban areas, although this might simply be a function of population density rather than any fundamental difference between the psyche of the city and the country. The style of shoes and their arrangement, however, is worth noting. Lone sneakers are common in the city, but when dangling shoes appear in rural areas, the formations tend to be more elaborate. In some parts of the Mojave desert, dusty shoes cover dead Joshua trees like leaves. Hundreds of black army boots hang from irrigation pipes over neglected crops in Oklahoma.

Some say a pair of tennis shoes draped over a telephone line indicates a place to score drugs. Often referred to as cosmic kicks or crack tennies, they serve as a storefront shingle for the local dealer. Others will tell you they mark a shooting gallery where heroin is used, a reminder that you’ll never walk away once you get hooked. These theories, however, do not explain the shoes strung over desolate roads or beneath the highway overpasses where nobody goes.

Many of these shoes once belonged to children. Seeing a child’s shoes hanging in a bottle-strewn alley bothers the soul, calling to mind Hemingway’s famous six-word story: For sale: Baby shoes, never worn. Some say these abandoned shoes memorialize a gangland killing. Others believe they mark the sighting of a ghost. But most levelheaded folks chalk them up to run-of-the-mill bullying in which some asshole kid steals another kid’s shoes and tosses them beyond his reach.

If any of these theories are true, there are an awful lot of victims, ghosts, and bullies in the USA.

This is the third episode of Interstate Scenes, a fictional collection of homeless paragraphs, remixed and upcycled bits from the past, and bloopers from the stories I’m writing.

The Corners of the Ceiling
A ceiling in Ohio

The Corners of the Ceiling

When she was a little girl, she would watch the darkness in her bedroom, hypnotized by the grey-pink flecks that seemed to dance in the air while she waited for sleep. One night, she climbed out of bed to tell her parents that she saw fairies in the corner of her ceiling. Her mother dismissed her, saying it was only a trick of the eyes, but a faint smile played across her father’s mouth as he tucked her back into bed. “We’ll talk later,” he whispered as he shut the door. They never did. 

She eventually learned those shimmery dots were the natural interplay of retinal fluid and optical cones. But part of her still preferred to believe they were dancing pieces of darkness, the living material of the night. “Science shouldn’t explain everything,” she told me. She often succumbed to earaches and ennui, and she would watch the sparkles in the gloom, the rods and motes that flickered just beyond her vision. “Sometimes I thought God lived in the shadows of the ceiling,” she said, and she would gaze at the high corners of the room whenever she felt overwhelmed, half-expecting to find an answer there. “Some habits come strange and never leave.”

And some habits are infectious. Years later, I would find myself murmuring to the fluorescent lights at the Gas ’n Go or the drop ceilings of the church basements where people insisted on living a day at a time. Like her, I would search for answers in forgotten spaces with cobwebs and patchy paint jobs.

This is the second episode of Interstate Scenes, a fictional collection of homeless paragraphs, remixed and upcycled bits from the past, and bloopers from the stories I’m writing.

Folk Religion
Somewhere in Kansas, 2009

Folk Religion

Maybe you’ve heard the stories, the baroque theories on late-night radio or the soliloquies of sunburnt men who mutter at the traffic. Like the one about how they trained telekinetic children to interrogate terrorists and accidentally discovered how to bend time with a pack of playing cards. Or how they dosed soldiers with LSD and dropped them in a forest to see how they would perform in combat. (Not very well.) Or the one about the college student who volunteered for a behavioral study. After feeding the kid a mescaline cocktail, they watched him pace a padded room for three days before he sat down and announced that he was a glass of orange juice, and if anyone came too close, he would tip over and spill himself all over the floor. They say that kid is an old man now, still sitting motionless in the corner of an institution in Virginia.

They’ve invented sights and sounds that will ruin your personality and cause you to soil yourself in the middle of the street. Aural destabilization, they call it. Its milder variants are used for dispersing street protests, but its more extreme applications belong to the land of rumor, those two o’clock in the morning stories told by creatures teetering on barstools who say they’ve heard a sound so loud it heats the air, dredging up your ugliest memories and rupturing your intestines if you stick around long enough. 

These stories always boil down to the spectral they, don’t they? The black choppers and nameless spooks, the shadows that haunt the minds of wild-eyed loners with custom-built radios, their speech riddled with dates and acronyms. 

This is the type of man I would become for a while.

The Greatest Show on Earth
Green-Wood Cemetery, 2019

The Greatest Show on Earth

One of my short stories has been published in Vol. 1 Brooklyn. It’s about an elderly couple in a Walgreen’s parking lot, and they’ve been haunting my dreams for years. It’s called “The Greatest Show on Earth,” and here’s how it begins:

There’s this old couple that gets around. Maybe you’ve seen them. They’ve been touring the country for years, long before America elected a game show host for president. They started off doing decent business at casinos and conventions until their tantrums began causing problems.

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The Diver
Swimming Scene, 2014

The Diver

My mother believed life should be graceful and clean, much like the way she entered the water when she was young. She had been a diver and, for a time, the most famous woman in town. Especially once she began killing people.

She was an all-city legend, a state champion and regional medalist with a national rank. She split the water like a razor, all muscle and light as she injected herself into the pool with hardly a splash. Trophies and talent scouts filled our home. Men peered at her through viewfinders and discussed her dimples and the size of her teeth, wondering if she might be the new face of breakfast cereal.

Six weeks before the Olympics, they filmed her diving off the side of Route 46 where it crossed the industrial canal. They wanted inspiring footage for the Tokyo games, an Elysian myth about small-town grit that would galvanize kids across the country and send their parents scrambling to register for swimming lessons. Most of all, they needed a story that would take our minds off the security checkpoints at the grocery store, the sight of camouflaged men with weapons patrolling the laundry detergent and frozen dinners. Something to distract us from the explosions and the smell of week-old pepper spray that lingered in the air like a mean perfume.

Read the rest at Heavy Feather Review.