James A. Reeves

Slow Motion

Slow Gold
My parents in a strange photo from '76.

Slow Gold

1.

My father liked to order egg foo young from cheap takeout joints with faded menus and bulletproof glass. God, how I shamed him when I was growing up. “That’s not real Chinese food, Dad.” Because I knew about mei fun and sticky rice and dim sum, I thought I was worldly. He would smile and nod as he tucked into his gnarly pork omelette soaked in Thanksgiving gravy. After he died, I ordered some egg foo young to remember him, and holy christ it was a joyful concoction of salt, fat, acid, and the rest of it.

My mother-in-law is a small but mighty Taiwanese woman with intense opinions about food. I was surprised to see egg foo young on the menu of one of her favorite spots, and I mentioned my father’s affection for it. “Let’s try it,” she said. After she’d eaten a fair amount of it, she said my father was a very smart man, and I like to think he’s looking on from wherever the dead are and saying, “I fucking told you.”

So this holiday season, give the people you love the greatest gift of all: righteous vindication.

2.

I once asked my students to define beauty. "Beauty is remembering the sad times without crying," said a fourteen-year-old girl who is wiser than I will ever be.

3.

A formative memory: six years old on a soccer field when the sky turned orange and green. The sound of something terrible filled the air, a cosmic revving that stopped us on the field, the ball forgotten, our little faces tilted up as we watched the clouds. I still remember the air, the sense of something being sucked out of the world before it returned in terrible form. Maybe it was just the barometer dropping, but this sensation is still with me when a summer storm gathers or the telephone rings with bad news.

Our parents argued on the sidelines about whether to take shelter in our cars or under the trees. But here comes my mom, racing across the field, scooping me into her arms—maybe scooping all of us because she was a hero that day, how she scooched us under a picnic table and lay on top of me, saying don’t worry, hunny bunny, it’s gonna be alright while a terrible engine crossed the sky and took the roof of a gazebo with it.

4.

In my Thursday Night Men's Book Club, we've been discussing whether suffering is required for transcendence or even plain old growth. It’s a hard problem. Tragedy did not make me more intelligent or bring me closer to faith. In fact, it made the transactional nature of religion repellent—as if I lost my parents because I did not pray enough or we were bad people.

A few years later, I came across a quote from Epictetus: Never say something is lost, only that it is returned. These words consoled me on an intellectual level (although I am very much not a stoic) but it would take several more years before I came to inhabit them. This transformation occurred so slowly that I only noticed it in the rearview mirror. Now I feel damned lucky to have been raised by such big-hearted people. This world owes me nothing and, while our time together was too short, most people don’t get even that.

5.

Like these thoughts on egg foo young and tornados, tonight’s broadcast is all over the map—but I’m increasingly fond of intensely personal playlists that ratfuck the algorithm. We kick off with a Breakfast Club anthem pitched down into Sisters of Mercy gloom, followed by a heavy slice of Detroit electro I bought in '95 and played to death, entranced by its bottomless growl. Years later, I heard this track on a compilation CD and realized it was meant to be played at 45rpm. This might be the godhead of my passion for slowing things down, and the ritual continues with a song from ’74 that reminds me of my parents’ kitchen and the big romance they had when they were young. Then comes a dub techno staple that sounds like a beautiful machine at 40% speed, which gives way to a Swans track I love. It came to mind after reading Adam Greenfield’s delightful piece about wanting to eat God while watching them perform—and I discovered “Leaving Meaning” degrades into a lovely ambient song if you fiddle with the equalizer and douse it in reverb. Then we head to heartbeat city, here we come.

  1. Simple Minds - Don’t You Forget About Me (38% slower)
    The Breakfast Club | 1985 | More
  2. Will Web - Spacewalk (30% slower)
    Cosmic Driveby | Direct Beat, 1995
  3. The Hollies - The Air That I Breathe (20% slower)
    Hollies | EMI, 1974
  4. Vladislav Delay - Huone (46% slower)
    Multila | Chain Reaction, 2000 | Bandcamp
  5. Swans - Leaving Meaning (20% slower)
    Leaving Meaning | Mute, 2019 | Bandcamp
  6. Pole - Hafen (40% slower)
    2 | Kliff/Matador, 1999 | Bandcamp
  7. Aphex Twin - #1 (Cliffs) (42% slower)
    Selected Ambient Works II | Warp, 1994 | Bandcamp
  8. The Cars - Jacki (31% slower)
    Heartbeat City | Elektra, 1984

Thank you for listening.

Download | Podcast

Slow Vessels

Slow Vessels

1

Lately I’ve been pondering a line from Ingmar Bergman’s The Seventh Seal: “I often wonder why people torment themselves as soon as they can.” It’s an excellent question without an easy answer.

As of today, I haven’t had a drink in twelve years. There are dogs and teenagers who’ve been sober longer than this, but there was a time when I thought I wouldn’t make it twelve hours, let alone twelve years. I’ve lost so many people to this thing. Like my mom, who was so much smarter, kinder, and tougher than me. When I cleaned out her things after she died, I found a yellow book tucked under her mattress called Sobriety for Dummies. Addiction is a disease of isolation; if you’re struggling, please reach out to someone. (I’m here.)

Twelve years ago, I found a community that told me to meditate. They said it would help me learn to live in my skin and might even introduce me to a higher power. I thought meditation was goofy new-age woo, but I was desperate not to drink again, so I said okay. This was a year or two before mindfulness became a lifehack for greater productivity because end-game capitalism devours everything, even the ancient practice of staring at a wall. Nowadays, people who talk about meditation tend to be insufferable, and I do not intend to do this here. I only want to tell you about the rain. And the stick.

At first, I could not sit in silence for thirty seconds without wanting to fuck with my phone, but eventually, I found myself at a Zen temple where I was directed to a small pillow and told to face the wall. The others were middle-aged men. They had shaved heads and wore black kimonos. I wore skinny jeans and smelled like cigarettes.

The temple belonged to a small ancient monk for whom the only adjective is wizened. He paced behind us with a wooden rod the length of a baseball bat. If our spines sagged or our shoulders went off-kilter, he would whack us with his stick. Actually, he only whacked me. He was remarkably strong for an 86-year-old monk. Meanwhile, the men on either side of me remained like statues, radiating intensity and seriousness. (As a general rule, I’ve found that no matter what you enjoy—music, running, photography, cycling—there’s always a middle-aged man nearby who is taking it way too seriously.)

The introductory meditation was three hours. My mind gnawed at itself. I listened to my veins until the blood pulsing in my vessels became a form of entertainment. But deep within the second hour, a light rain began to fall, and I could hear each drop. Then came a hush I’d never known, and I thought I had glimpsed beyond the veil.

Then came the stick.

A few months later, I mentioned this experience to a friendly nun, and she smiled. “We’re hard enough on ourselves as it is. We don’t need somebody hitting us with a stick.”

2

In other news, the Late Heavy Bombardment was a cosmic event that occurred four billion years ago, and it feels like it’s happening again. So I’m returning to my spiritual practice of slowing my favorite songs down to a reverberated crawl as an antidote to these chaotic subzero days. There’s a lot of Echospace on this outing, particularly The Coldest Season, the best winter album ever made. (I think it sounds even better 48% slower).

One of tonight’s tracks is called ‘Abraxas,’ which might be the ancient form of 'abracadabra'. The Wikipedia entry starts like heavy science fiction: “Abraxas is a word of mystic meaning in the system of the Gnostic Basilides, being there applied to the Great Archon, the princeps of the 365 spheres.” It gets wilder from there.

  1. TM404 - 202/303/303/303/606/606 (43% slower)
    TM 404 | Kontra-Musik, 2013 | Bandcamp
  2. Topdown Dialectic - A4 (44% slower)
    S/T | Peak Oil, 2018 | Bandcamp
  3. Echospace - Aequinoxium/Sunset/Abraxas (48% slower)
    The Coldest Season | Modern Love, 2008 | Boomkat
  4. Von Schommer - Wuerfel/Wuerfel Version (45% slower)
    Deepchord, 2000 | Bandcamp
  5. IMAX - Concorde (47% slower)
    Deepchord, 2000 | Bandcamp

Also includes snippets from Joy Division, Depeche Mode, Leonard Cohen, Yazoo, Skeeter Davis, Rebekah Del Rio, and 10cc. (The moment at the eight-minute mark when a Joy Division fragment lands on a half-speed synth is my favorite thing yet in these fifteen mixes.)

Listen below, or here’s a premium executive mp3 you can play while you ponder whether or not to root for this asteroid. (And here’s a Spotify playlist of the songs at their normal boring speed.) Now I’m about to board an airplane to Chicago because C. surprised me with a birthday trip to see three of my favorite paintings.

Thank you for listening. The request lines are open.

audio-thumbnail
Midnight Radio 015 Slow Vessels
0:00
/3429.642448979592
Slow Machines

Slow Machines

1

It’s late summer, and everything is overgrown and looks obscene. Trees sag, their leaves are tired, and the grass is scorched. The night hums with creatures I cannot identify—frogs or crickets, maybe, or possibly the power lines. Even though the news continues to break at an alarming speed, these are sluggish days, and I’m doing my best to match their rhythm and collect my thoughts while I wait for the blessed relief of autumn.

The sound of distant traffic shushing through late-night rain might be one of the most relaxing sounds I know. The same goes for a drowsy radio talking about light drizzle at the airport. But my favorite soundtrack for contemplation is slow-motion techno.

Over the years, slowing down my favorite songs has become a spiritual practice, and I’ve come here tonight to preach the poetics of pitched-down electronics. It’s a rebellion against time, a way to slow down the clock and peek into its gears. There is fascinating information in the heartbeat of a half-speed machine: gunk and grain, the unexpected pleasure of negative space. When I die, I’d like to spend eternity nestled in the bass of Pole’s "Modul". Until then, the best I can do is slow it down and make it last a little longer. And so this episode of Midnight Radio is devoted to the glory of slow-motion machinery, featuring five all-time favorites from the 1990s stretched out until they’re nice and roomy. For me, hearing the title track from Plastikman’s landmark Consumed at half-speed feels like a revelation.

2

Ventriloquism began as a religious practice. The word comes from Latin for “speak from the stomach”: venter (belly) and loqui (speak). The ancients believed the sounds produced by the belly belonged to the dead, and the ventriloquist would interpret these growls and grumbles because people thought they told the future. So who’s to say what’s spiritual today?

Tonight's mix is below, or you can download it here. It's doused in plenty of reverb and sprinkled with some doo-wop and torch songs by Nancy Sinatra, Ricky Nelson, Skeeter Davis, the Ronettes, and the Righteous Brothers. (Here's a Spotify playlist if you'd like to hear the original songs at their normal speed.)

  1. Richie Hawtin - 07 13-00 (54% slower)
    Concept 1 | 1996 | More
  2. Pole - Modul (56% slower)
    1 | Matador, 1998 | More
  3. Autechre - Yulquen (48% slower)
    Amber | Warp, 1994 | More
  4. Basic Channel - Radiance II (44% slower)
    Radiance | Basic Channel, 1994 | More
  5. Plastikman - Consumed (50% slower)
    Consumed | Minus, 1998 | More

These five songs rewired my brain when I first heard them 25 years ago, back when I had faith in the Information Superhighway and the new millennium. What will my nostalgia look like 25 years from now? I try to imagine myself as an old man, telling the kids about the good old days when every street corner had a Chase bank and a CVS, how we carried pieces of glass in our pockets that made us cranky. But in the meantime, let’s install roadside plaques across the nation that describe its hauntings and spiritual visions. Put a sign in front of a grain silo that says it’s a sculpture by a conceptual artist named Olive Garden. Return some myth to this fallen world.

Midnight Radio 004 | Download

audio-thumbnail
Midnight Radio 004: Slow-Motion Machines
0:00
/2372.0489795918365

Thank you for listening, and the request lines are now open: if there's a certain mood you'd like to hear in the next installment, let me know.

1 / 1